Critical analysis labelling theory of crime on joker

1
Critical analysis Labelling Theory of Crime on Joker (2019) movie
Student’s Name
Department
Course
Professor
Date
2
Critical analysis Labelling Theory of Crime on Joker (2019) movie
Throughout the globe, psychologists have exemplary studied and elucidated criminal
behaviors and the circumambient impacts of crime in modernity. Criminology is the study of
behaviors that imminently decapitates crime in society. In a broader perspective, several paradoxes
have been developed to better expound on reasons for crime and why people engage in deviant
criminal activities. Of paramount importance, the film domain has over the decades proved as an
essential art form in the society acting as source of entertainment and more significantly educating
on the criminal crimes theories. Additionally, psychologists and behaviorists have researched on
the rationale behind individual involvement in crimes and criminal as articulated in the film
industry which crucially discovered that most crimes occur due to the labelling behavior by
authorities towards the powerless or minorities in the society. In this essay, I will largely juxtapose
the labelling crime theory as revealed on the Joker (2019) movie.
The Joker (2019) film exemplifies the labelling theory of criminal features correlated with
interactionism allowing the movie integrate in-depth psychological constructed agents of criminal
behavior and crimes from individuals. While the film explores diverse motivations resulting to
crime, the main character demonstrates that reasons for crimes might be complex, crime-labelling
habits by the authorities’ plays crucial role in promoting crimes actions (Reed & Boppre, 2021).
Notably, the main character in joker (2019) movie, Arthur Fleck postulate that individuals in the
society are not primarily deviant in all circumstances but some become criminals and deviant under
specific situations when labeled deviant by authorities. Having critically examined the
fundamental contributors of crimes under the criminal theories, Reed & Boppre (2021) indicates
that criminal labeling patterns aggregates to some severe crimes due to the micro-interactions
between the police and some people. Generally, the labelling theory of crimes stipulates that
3
adverse effects such trend surges criminal career as well deviancy amplification as depicted in the
Joker (2019) film.
More importantly, the movie demystifies poignant information under the labelling theory
that some crimes are always ramifications of societal issues. In an intensive analysis of labelling
theory of crime in the film, Reed & Boppre (2021) posits that the way other people react to
individual’s criminal habit and deviancy sometimes forces individuals to join complex deviant
culture furthering crime acts. It is pertinent to note that the Joker is portrayed as community reject
both socially and economically making him disenfranchised individual. It is arguably that the
quintessential emerging and booming criminal behavior in the current period emanates from the
interaction between the deviant and wider public because the labelling effects prompts individuals
into accepting the identity of deviance. As a result, deviant career emerges as the individuals get
amalgamated into the labelled deviant organizations. Generally, the labelling attitude within the
society cultivates extensive criminal operations through social rejections.
In conclusion, the concept of the labelling theory of criminal features is extensively
exemplified in Joker (2019) movie. Despite the fact that reasons for crimes might be complex,
crime-labelling habits by the authorities plays crucial role in driving crimes actions. Of particular
interest, criminal labeling patterns aggregates to some severe crimes due to the micro-interactions
between the police and people. Labelling theory of crimes stipulates that adverse effects such trend
increases criminal career as depicted in the Joker (2019) film. Conversely, other people reaction
to individual’s criminal habit and deviancy sometimes forces individuals to join organized criminal
groups.
4
References
Reed, S. M., & Boppre, B. (2021). Labeling Theory and Joker. In Theories of Crime
Through Popular Culture (pp. 173-183). Palgrave Macmillan, Cham.
…